This outstanding ritual flaying knife has a row of lotus petals at each end of the handle and the blade is decorated with an unusual serrated design imitating flames.
This reliquary is decorated with incisions including a wheel and a knot of eternity among foliage at the front of the base, a turquoise-inlaid flaming jewel (triratna) on the upper rim, geometrical motifs on the stepped plinth over the lotus, beaded festoons and pendants inlaid with turquoise above.
A simpler design also with festoons and beaded pendants at the top.
Here the artist has used tiny stone and coral cabochons, and larger lapis lazuli, coral and turquoise pieces for the moon and sun finial.
Garudas, known as khyung in Tibet, usually hold a long snake between their hands and through their beak. The hands may be held at chest level…
… or the arms may be spread above shoulder level.
This one looks like a winged bull rather than a garuda.
Vajrapani brandishes a vajra sceptre in his right hand and holds a bell in the other, placed against his hip. He is adorned with snakes and wears a tiger-skin loin cloth. it is not clear what protrudes on each side of him.
This interesting collection features two togchags which are almost identical (top and bottom left of photo) and very similar to the previous item except for the absence of a securing rod below him. The top middle figure is a classic version of 13th century circa brass Vajrapani sculptures with a muscly body, his right leg bent, wearing snake anklets, bracelets, necklace and sacred thread, the head of the tiger skin resting over his raised knee. The lower middle figure is in fact Achala, whom we have seen in a previous post. On the top right togchag the bell is clearly visible against his left thigh. The bottom right amulet is a rare portrait of Vajrapani with a bird, possibly a peacock.
Achala brandishes a sword above his head and holds a lasso wound around his forefinger, his flaming hair standing on his head, a tiger skin worn as a loin cloth.
This one wears a celestial scarf with split ends
The historical buddha is seated on a lotus, calling Earth to witness with his right hand, the other holding an alms bowl. In front of him, there are two arhats.
This is most likely a piece from a ritual bone apron used for Cham dance.
Manjushri is seated in the vajra position on a couple of mythical creatures, brandishing his sword and holding a manuscript at heart level with his main hands. The other hands hold a bow and an arrow. He is adorned with a five-leaf crown, jewellery and a celestial scarf. His hair is topped with a lotus bud finial.