16th century, Western Tibet, bronze with turquoise inlay, private collection, photo by Sotheby’s.
This reliquary is decorated with incisions including a wheel and a knot of eternity among foliage at the front of the base, a turquoise-inlaid flaming jewel (triratna) on the upper rim, geometrical motifs on the stepped plinth over the lotus, beaded festoons and pendants inlaid with turquoise above.
16th century, gilt copper alloy with turquoise inlay, private collection, photo by Bonhams.
A simpler design also with festoons and beaded pendants at the top.
18th century, Tibet, gilt copper alloy, private collection, photo by Bonhams.
Here the artist has used tiny stone and coral cabochons, and larger lapis lazuli, coral and turquoise pieces for the moon and sun finial.
12th century, Tibet, brass, at the Asian Art Museum in San Francisco (USA).
9th-13th century, Tibet, private collection, photo by Bonhams.
Garudas, known as khyung in Tibet, usually hold a long snake between their hands and through their beak. The hands may be held at chest level…
Undated, same as before.
… or the arms may be spread above shoulder level.
This one looks like a winged bull rather than a garuda.
12th century, Tibet, Vajrapani, brass (copper alloy), at the Asian Art Museum in San Francisco (USA).
Vajrapani brandishes a vajra sceptre in his right hand and holds a bell in the other, placed against his hip. He is adorned with snakes and wears a tiger-skin loin cloth. it is not clear what protrudes on each side of him.
12th century, Tibet, Vajrapani togchags, private collection, photo by Sotheby’s.
This interesting collection features two togchags which are almost identical (top and bottom left of photo) and very similar to the previous item except for the absence of a securing rod below him. The top middle figure is a classic version of 13th century circa brass Vajrapani sculptures with a muscly body, his right leg bent, wearing snake anklets, bracelets, necklace and sacred thread, the head of the tiger skin resting over his raised knee. The lower middle figure is in fact Achala, whom we have seen in a previous post. On the top right togchag the bell is clearly visible against his left thigh. The bottom right amulet is a rare portrait of Vajrapani with a bird, possibly a peacock.
9th-13th century, Tibet, Achala, labelled Vajrapani, private collection, photo by Bonhams.
Achala brandishes a sword above his head and holds a lasso wound around his forefinger, his flaming hair standing on his head, a tiger skin worn as a loin cloth.
12th century, Tibet, Achala, labelled Vajrapani, private collection, photo by Sotheby’s.
This one wears a celestial scarf with split ends
12th-13th century, Tibet, Achala, bronze, at the Asian Art Museum in San Francisco (USA).
19th century, Tibet, woman’s ga’u, brass with turquoise inlay, Liverpool Museum Tibet Collection.
The curator of the museum tells us that such oval amulet boxes are known as kerima, which means kidney, due to their shape.
19th century, Tibet, chang pot, wood with brass and copper overlay, Liverpool Museum Tibet Collection (UK).
Shaped like a duck, this jug was possibly used to serve chang (a cereal-based alcohol). There is a lotus bud finial on the lid and medallions with Kirtimukha and auspicious symbols around the body.
19th century probably, Tibet, silver with glass, turquoise and coral, at the Metropolitan Museum in New York (USA).
The shape of the amulet box on this necklace is unusual.
19th century, Tibet, metal (gold?), lapis lazuli, turquoise, ruby, private collection, photo by Bonhams
Kirtimukha may hold a serpent between his hands, as above, or sprouting vegetation, as often seen on the front panel of crowns, or raining jewels.